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5.0857 ratings
Duration
60 minutes
Series Info
Season 2 Episode 23

Quick Summary

The High Fence – Simon enlists an actress to work as a waitress at a café, covertly probing a regular patron suspected of a recent spate of burglaries.

About This Program

Programme Overview

The High Fence is a gripping single‑episode drama broadcast on That's TV (MCR). The story follows Simon, a tenacious investigator who is called in to unravel a sudden spate of burglaries that have unsettled the local community. To get to the heart of the matter, Simon enlists the help of an actress, asking her to assume the role of a waitress in a modest café that serves as a regular meeting point for a suspect believed to be orchestrating the thefts.

What to Expect

The episode blends classic investigative tension with the subtle intrigue of an undercover operation. Viewers will watch the actress navigate the daily rhythm of café service while quietly observing the suspect’s habits, conversations, and any clues that might link him to the burglaries. Simon’s strategic planning and the actress’s performance create a layered narrative that builds suspense as the truth inches closer to the surface.

Why Watch

Fans of British television drama will appreciate the episode’s focus on realistic police work and the psychological cat‑and‑mouse game that unfolds in an everyday setting. The programme offers a compelling look at how ordinary environments, like a local café, can become pivotal stages for crime‑fighting tactics, making it both relatable and thrilling for UK viewers.

Additional Context

As part of That's TV (MCR)’s commitment to delivering quality regional programming, The High Fence showcases strong character‑driven storytelling without reliance on sensationalist plot twists. Its concise, self‑contained structure makes it an ideal choice for viewers seeking a tightly plotted, thought‑provoking episode that reflects the nuances of community‑based investigation.

The Saint broadcasts on That's TV (MCR) at 3:05pm, Wednesday, 5 November 2025.

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