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The episode “Generic” is the latest instalment of the low‑key anthology series that’s been slipping onto the BBC schedule for a few years now. It stars the ever‑reliable Tom Harding as a weary small‑town solicitor and newcomer Maya Patel as the mysterious client who drags him into a local mystery. Think of it as a stripped‑back “Broadchurch” meets “The Twilight Zone” – a single story, a handful of characters, and a single, cramped set that feels oddly intimate. The plot centres on a seemingly harmless property dispute that quickly spirals into something far more unsettling. Harding’s solicitor discovers a series of old letters that hint at a long‑forgotten tragedy, while Patel’s client pushes him to dig deeper, despite the town’s reluctance to stir up old ghosts. The episode walks you through a maze of red‑herring clues and a few tense confrontations, all building toward a twist that lands just when you think you’ve got it figured out. No spoilers, but the resolution leans on atmosphere more than shock value, which feels faithful to the series’ quiet‑mystery vibe. Honestly, it’s not a groundbreaking piece of television, but it’s surprisingly good for what it aims to be. The pacing does drag a touch in the middle – you’ll find yourself checking the clock – and the production design feels a bit dated, with the same beige office set re‑used from earlier episodes. Still, the writing is sharp, the dialogue feels genuinely British, and the performances are solid enough to keep you hooked. If you enjoy slow‑burn mysteries that rely on mood rather than flashy effects, it’s worth a watch; if you’re after high‑octane drama, you might be left feeling a bit mental. Rated 15, mainly for occasional strong language and a few unsettling scenes that could be a bit much for younger viewers. First terrestrial showing is tonight on BBC Two, and it’s a good entry point for newcomers who haven’t followed the series from the start. Fair warning: the episode leans heavily on dialogue, so bring a cuppa and settle in.