THE MOON IS NOT BLUE - In this hilarious episode of the classic MAS*H series, Hawkeye and BJ sneak a racy new film into the 4077th after General Rothaker bans alcohol, delivering a perfect mix of drama and comedy with Alan Alda, David Ogden Stiers and Mike Farrell. A standout programme highlight for UK television viewers, this British TV entertainment offering provides a quick‑at‑a‑glance overview that fits neatly into Great! TV +1 programming and the weekly television guide.

PROGRAMME OVERVIEW THE MOON IS NOT BLUE is a special comedy episode that sees Hawkeye and BJ taking charge of the 4077th’s morale by screening a racy new film after General Rothaker bans alcohol. The episode blends classic MAS*H humour with a satirical look at wartime censorship, and it stars Alan Alda, David Ogden Stiers and Mike Farrell in a delightfully mischievous romp. This television guide entry offers full details for UK viewers, positioning the programme as a must‑see piece of British TV entertainment that captures the spirit of the original series while delivering fresh, in‑depth review material for discerning audiences. WHAT TO EXPECT Viewers can anticipate a witty, fast‑paced narrative that balances slap‑stick moments with sharp commentary on authority and camaraderie. The episode opens with the 4077th’s usual chaos, only to be interrupted by General Rothaker’s proclamation that alcohol is prohibited, prompting Hawkeye (Alan Alda) and BJ (Mike Farrell) to organise an impromptu film night. The racy new film becomes a catalyst for a series of comedic set‑pieces, from hidden bottles to covert viewings, all underscored by David Ogden Stiers’ memorable performance as the bewildered yet complicit Colonel Potter. The content is rich in period‑appropriate humour, making it an engaging episode for fans of drama, comedy and classic television alike. KEY FEATURES - STELLAR CAST: Alan Alda leads with his trademark charm, while Mike Farrell provides the perfect foil, and David Ogden Stiers adds depth with his nuanced portrayal of authority. - UNIQUE SETTING: The episode’s premise of a film screening in a wartime surgical unit is a fresh twist that showcases the series’ ability to innovate within its established format. - HIGH‑QUALITY PRODUCTION: Filmed with the same meticulous attention to detail as the original MAS*H series, the production values deliver authentic set design, period‑accurate costumes and a soundtrack that enhances the comedic timing. - CULTURAL RELEVANCE: The storyline’s commentary on prohibition and morale‑boosting entertainment resonates with contemporary British TV audiences, offering both nostalgia and relevance. WHY WATCH For UK television enthusiasts, THE MOON IS NOT BLUE offers a rare blend of classic American sitcom sensibility and universal themes that speak to British viewers. The episode’s clever satire of military bureaucracy and its celebration of camaraderie align perfectly with the tastes of British TV audiences who appreciate smart, character‑driven comedy. Moreover, the presence of beloved actors such as Alan Alda ensures a high‑quality viewing experience, while the episode’s inclusion in a comprehensive guide highlights its status as a standout piece of entertainment within the larger series. UK viewers seeking a well‑crafted, in‑depth review of a timeless comedy will find this episode a perfect addition to their television guide. Great! TV +1 PROGRAMMING CONTEXT Although originally aired in the United States, THE MOON IS NOT BLUE fits seamlessly into Great! TV +1 programming blocks that celebrate classic series and special comedy events. The episode can be scheduled alongside other iconic British TV dramas and documentaries, providing a balanced evening of entertainment that appeals to a broad spectrum of UK viewers. Its inclusion in the Great! TV +1 schedule would enhance the channel’s reputation for offering high‑quality, timeless content, and it would serve as an excellent lead‑in to later programmes that explore wartime narratives or comedic retrospectives. This placement ensures that the episode receives the visibility it deserves within the British television landscape.